8/18/2023 0 Comments Time space compression orgThis paper justifies the need to teach this topic. Not for re-distribution, re-sale or use in derivative works. Timespace compression shows students that geographies are plastic, mutable and forever changing. This version is free to view and download for personal use only. “This material has been published in 'Accelerated Times: British Literature in Transition, 1980-2000' edited by Eileen Pollard & Berthold Schoene. The chapter then addresses the representation of peripheral urban space through a sustained examination of Alasdair Gray’s Glasgow-set 1981 novel Lanark and Jeff Noon’s Manchester-set novels Vurt (1993) and Needle in the Groove (1999). The chapter surveys representations of London during this period before suggesting that critical literature surrounding the ‘London literature’ has failed to recognise that the exceptionalism on which this genre is constructed is itself a consequence of a restructuring of the relationship between centre and periphery within the UK during the 1980s and 1990s. Time and space were first compressed when trains begin to drive through human geography. The concept is important when considering changes in culture and structure, especially transit and value production. It begins by suggesting that such representations must be read in the light of the structural shifts within the composition of capitalism during the 1970s, which played themselves out in postmodern fiction over the course of the final two decades of the twentieth century. Time and space compression is a phrase used to describe the decreasing space between people and ideas. Stimulating and theoretically wide-ranging The Condition of Digitality recognises post-modernity’s radical new form as a reality and the urgent need to assert more democratic control over digitality.This chapter examines the representation of urban space in British literature of the 1980s and 1990s. Lastly the author considers culture’s role drawing on Rahel Jaeggi’s theories to make the case for a post-modern Marxism attuned to the most significant issue of our age. This condition he suggests, is not an ideology of time and space but a reality stressing that Harvey’s time-space compression takes on new features including those of ‘outward’ and ‘inward’ globalisation and the commodification of all spheres of existence. Storage Space means a space where goods of non-hazardous nature are stored and includes cold storage and banking safe vaults. Timespace compression (also known as spacetime compression and timespace distanciation) is an idea referring to the altering of the qualities of spacetime and the relationship between space and time that is a consequence of the expansion of capital. Jeremy Stein: Reflections on Time, Time-Space Compression and Technology in the Nineteenth Century Book Chapter Routledge 2001 In his chapter Jeremy. Considering first the contexts of 1989 and Harvey’s work, then the idea of humans as analogue beings he argues this arising new human condition of digitality leads to alienation not only from technology but also the environment. However this landmark publication, author Robert Hassan argues, did not address the arrival of digital technology, the quantum leap represented by the move from an analogue world to a digital economy and the rapid creation of a global networked society. It gave theoretical expression to a material and cultural reality that was just then getting properly started – globalisation and postmodernity – whilst highlighting the geo-spatial limits to accumulation imposed by our planet. "David Harvey’s The Condition of Postmodernity rationalised capitalism’s transformation during an extraordinary year: 1989.
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